One example for a screen writing competition is Bluecat. If your a winner living outside the USA, your script is automatically eligible to win the Fellini award, given annually to the best internal script and that is $1 000. They have a rule that all entries must be in English, the feature screenplay must be between 65-125 pages in length. The pilot scripts must be between 20-75 pages and the short screenplays must be between 1-29 pages in length. Everything that is submitted must be your own work, you are not allowed to copy or use anyone else's work, or previous work. The script that you send in must be completely new and its not allowed to have been previously won at any contests, competition or award of any kind. In this event there is a number of prices for example the grand prize winner will receive $5,000, the feature screenplay award winner will receive $2,000, the pilot award winner will receive $2,000 also and so will the short script award. Some of the things that they accept are features, episodic pilots and short film scripts, each submission with receive one complimentary written analysis, script must be in PDF must have a properly formatted by file name (name of script by author by Author First Last Name.pdf) they don't have any title page requirements and all entries must also be in English.
Tuesday, 16 March 2021
Research Dossier
Wednesday, 10 March 2021
The History and Development of Editing
Tuesday, 9 March 2021
Job roles in media
Job roles
in media
Screen
writer (and script reader and script editor)
-
They
prepare their script to relate to the audience
-
Collaborate
with producers, directors and actors and redraft their script
-
Often
work with deadlines
-
Almost
always are freelancers
-
Screenwriters
develop roughly three drafts of a screenplay, with the third being “the polish”
this is the version that gets pitched to a producer or film studio
-
Once
screenplay is picked by a studio, more screenwriters may be brought in to work
with a development producer to get it ready for the production.
-
Any
new screenwriter may share a credit with the original screenwriter
-
It
is possible for the writer to be replaced entirely by another screen writer
What they
are good at
-
They
know how they can improve
-
Understand
all the features which makes a great screenplay
-
can
effectively make ideas come alive
-
they
have a deep and wide variety of all genres of art meaning they are able to get
ideas from a variety of places
-
they
can easily find work for themselves such as freelancing
-
good
with managing finances
-
are
able to keep themselves self-motivated
Who they
work with?
-
Screenwriters
work with development producers and their assistants
-
Sometimes
assisted by researchers (they help provide the correct information for the
screen plays and will also get facts, will also make sure that the facts are
correct before they go anywhere.
-
When
near the end the screenwriters may have their screenplays checked by script
editors who will then have a run through of the work to make sure it all makes
sense, everything is in the correct place and its all running smoothly.
-
After
the script editors have looked at the screenplay, they may be supported by
assistant script editors.
In order
to become a screenwriter, I have to….
-
Write
as many of your own screenplays as possible
Doing this
you will be able to improve all the time making the work better.
-
It
is not essential to have a degree but it is useful to have had some sort of
education in English or screenwriting lessons
Director
-
They
are the ones who have the creative vision throughout the picture, they never
lose sight of it and they need to make sure everything is as they imagined it
would be.
-
They
are employed by the executive producer or producer. They are in charge of a
whole production so all of the ideas have to go through them
-
They
start with the script and work with the screenwriter and sometimes a script editing
team
-
The
director can also be the screenwriter as well
-
As
director your job is to imagine the script in visual form.
-
When
the money for the production have been raised the director then works with the director of photography, assistant
director and production designer
-
When
that has been finished they then work with the
producers and casting director they
include the notes about camera shots and they do some script changes
-
Some
directors like to rehearse actors ahead of shooting however not all of them do.
-
They
“block” the performance with the actor before filming begins this means that
they go through where the actors are going to be positioned in the scene before
they start to present and deliver their dialogue.
-
Directors
will also be instructing other members of the crew, they mainly include lighting, wardrobe and
make up supervisors.
-
They
push the actors so they can bring out the best in them
-
Makes
sure that all technical aspects are in place and get a great scene
-
When
finished the first one completed is the “directors cut” this will be sent to the
director, producers and financiers so they will get to see the final cut to
make sure everything is up to scratch and is how they want it to be.
-
Directors
may be employed by TV broadcasters, film or television production companies, or
work on a freelance basis.
A good
director
- - Holds
a good imagination
- - Has
great leadership
- - Can
work with a load of people
- -Know
most of the knowledge of arts, what does well together and what doesn’t, how
things can be changed and what will make it better.
- - They
understand the film or TV drama production process from start to finish, from
both technical points of view
- - They
work well under pressure
- - Make
decisions quickly when things go wrong
They have relationships with every department head. They work
close with the producers and casting directors and during production they have
a really close connection with the director of
photography and the first assistant director.
After the production they work closely with the editors
to produce the final program and make sure it finishes how they want
it to be.
Becoming
a director, you will need
-
some
start in theatre
-
worth
starting as a runner on set or in a production office and work your way up
-
got
to have A levels or higher in drama and theatre, English, film studies or media
studies. Or level 3 vocational qualifications such as
-
OCR Cambridge Technical Diploma/Extended Diploma in
Performing Arts
-
BTEC National Diploma/Extended Diploma in
Performing Arts
-
BTEC National Extended Diploma in Creative Digital
Media Production
-
Aim Awards Diploma in Creative and Digital Media
-
OCR Technical Diploma in Digital Media (Moving Image
and Audio Production)
-
BTEC National Diploma in Film and Television
Production
-
BTEC National Diploma in Film and Television Visual
Effects
-
RSL Diploma/Extended Diploma in Creative and
Performing Arts
-
UAL Diploma/Extended Diploma in Creative Media Production
and Technology
-
UAL Diploma/Extended Diploma in Performing and
Production Arts
Producer
-
They
are often the first to get involved, spotting the creative opportunity and
commercial viability of a production.
-
They
continue to keep everyone in the correct mind frame and make sure everyone is
doing what they are meant to be doing
-
They
are the overall decision makers, everything gets run through them
-
Producers
will come up with story ideas and hire writers or choose and secure the rights
to scripts, this is known as the “optioning” a script
-
They
are the ones who scales the budget if the film and source financing from
investors, studios and distributors
-
Working
with creative ideas from the directors and approve production costs
-
Approve
the locations and hire a team for the production, delegating certain
responsibilities to a line producer.
-
Their
job to create a good working environment and they constantly communicate with
everyone to make sure everything runs smoothly
-
They
have ultimate legal responsibilities for the health and safety of the crew on
set and delivery of a completed film at the end of the production process.
What’s a
producer good at?
-
They
have the extensive knowledge of all the creative processes of making a film or
tv programme including screenwriting, directing and editing
-
They
know how to tell a story, what makes a good’s story and are able to0 make and
approve creative decisions to help this do well
-
They
understand what makes a film successful and know how to market it to
distributors and the public
-
Knowing
how to wow the audience, they must understand and know what the audience is
looking for, what they like in other movies and put that into their work
-
Got
to be able to lead a group of people, know how to work with them and deal with
them
-
Got
to have good communication if they don’t have this then the movie could go
completely wrong as they wouldn’t know what each person is doing
-
Must
be an organised person, be on top of things, make sure the schedules are
prepared and they must be good prepare the production budget using financial
skills to secure funding and negotiate salaries
Who does
the producer work with?
They
work with everyone.
Producers lead and communicate with the whole
production team as well as distribution and marketing teams. They answer
to executive producers who serve as the overseeing face of the film studio, financers, or who are the overall leads on a
series.
To become
a producer, you’d need
-
Film
producers are often hired based on reputation so you need a lot of experience.
-
Good
understanding of all aspects of filmmaking is essential.
-
Starting
as a runner can really help as this way you will have some experience
-
Must
have a combination of business skills and creative vision for this job and
understanding of both sides of the industry.
-
If
you want to go to university and learn about being a producer there you will
need to be looking towards a-levels in drama and theatre studies, English, film
studies or media studies as these grades would be a massive push towards your
goal
-
Build
a portfolio, this will help you to be able to show of the work you have
produced
-
Need
a degree in media studies, film production or film history will equip you with
knowledge and experience of cinema or television and production sets.
-
Taking
short courses will help a lot as well this way you will be able to learn more
in a short amount of time.
Script proposal
Research portfolio
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